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Judging a Book…: Surface Detail by Iain M. Banks (Orbit)

New Feature: Judging a Book… by it’s cover. Say’s it all really. This may or maybe not come with tongue-in-cheek.

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A review copy of Surface Detail landed in the house today and if you think that it looks exciting on screen the real thing is better! The detail on the space scene looks stunning and the burning eyes along with skin really draw you in and make you wonder who is looking at you. A lot of SF fans should pick it up for a closer look.

Now I have to admit that the only Banks I’ve read is Consider Phlebas and that I abandoned halfway through but after 22 years on what is Surface Detail about?

It begins in the realm of the Real, where matter still matters. It begins with a murder. And it will not end until the Culture has gone to war with death itself. Lededje Y’breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit. Prepared to risk everything for her freedom, her release, when it comes, is at a price, and to put things right she will need the help of the Culture. Benevolent, enlightened and almost infinitely resourceful though it may be, the Culture can only do so much for any individual. With the assistance of one of its most powerful – and arguably deranged – warships, Lededje finds herself heading into a combat zone not even sure which side the Culture is really on. A war – brutal, far-reaching – is already raging within the digital realms that store the souls of the dead, and it’s about to erupt into reality. It started in the realm of the Real and that is where it will end. It will touch countless lives and affect entire civilizations, but at the centre of it all is a young woman whose need for revenge masks another motive altogether.

I’m always up for a murder story with a twist so I’m gonna give Banks another go.

Any thoughts on the cover?

Me Elsewhere: SFRevu Green Review – The Japanese Devil Fish Girl and Other Unnatural Attractions by Robert Rankin (Gollanz)

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I’ve got another review over at SFRevu. This time it’s ?The Japanese Devil Fish Girl and Other Unnatural Attractions by Robert Rankin. I had some nice things to say about it too:

Rankin is great at pacing and placing set pieces to amuse you. Not everything works but writing funny is hard and you have to to accept that things are funny because they are Rankin-esque. That isn’t to say that you have to have read any of this stuff before but if you haven’t, he does like to tell a tall-tale or two. And you just have to accept the truth as he presents it. There are some great footnotes reminding you that history is wrong about certain things – usually people’s premature deaths.

You can read more in the review.

Anyone a Rankin fan?

Interesting Things: Alternative Prizes – Not the Booker/Green Carnation Prize and RandJ are back.

New Feature: Interesting Things is  anything I’ve found quite interesting and I hope you do too.

I do step outside my bubble everyone now and again and explore books that don’t fit easily into the genre box. It would be strange if I didn’t seeing as I have an A-Level in English, and I did portfolio for my Creative Writing Degree that included a fair slice of poetry (I’ve got quite a selection of poetry books too). Though if I’m honest I don’t step outside my bubble a lot by person preference. I do keep an eye on the other side and the following two Awards have gained my interest over the last couple days.
The Man Booker Prize in a big thing in literary circles and those privileged enough to be highlighted often see their sales rocket. But as with all prizes people wonder what the might have chosen that that’s where Not The Booker prize comes in. Now it’s second year it’s more a readers prize than a judging prize with nominations taking place on The Guardian Book Blog:

?This year, the fun of complaining about the Man Booker prize has been rather spoiled by the fact that the judging panel appears to have compiled a pretty strong longlist. Disappointingly, nearly all the books appear to be interesting – and at least two on the list – The Slap andRoom – are even proving excitingly divisive and controversial.

To be honest the actual Man Booker does seem like it’s going to come out with something that’s not a compromise prize and the nominations for the Not the Booker are quite strict:

This first round is for nominations. All you have to do is name one book – and only one book – you’d like to see considered for the prize, in the comments section below. This time next week I’ll put up a full list of all nominations and round two will begin. In round two, you vote for the book on the list that you’d most like to see go through. The five books with the most votes will go into the next stage as our shorter shortlist. Easy!

Anyone got any they’d like to see shortlisted on the NTB?

Speaking of shortlisting today the inaugural Longlist for The Green Carnation Prize was announced today:

Green Carnation Prize Long List

I’ll let the Chair of The Green Carnation Prize, Paul Magrs, tell you about it:

“This all came about because, suddenly it was literary award season again and longlists were getting bandied about like crazy. And it’s annoying because those lists seem a bit ready-made, middlebrow, monotonous and obvious. Anyway, late July 2010 and there’s the usual palaver about the Booker Longlist. It was obviously going to be the same old gubbins and some of the same old names. And the same nonsense about ‘literary’ fiction being a separate, rarefied preserve, quite apart from other genres.

Anyway, we thought – wouldn’t it be fun and great to do something a bit different?

And then we thought – there’s no prize yet for gay men’s books in the UK. That’s a scandalous thought. There ought to be something that celebrates and publicizes the breadth and variety of their work.

Writing by gay men can be funny, exciting, harrowing, uplifting and challenging – and it can range right across the genres. It can also be created by men from all classes and races.

So here we are – this small panel – setting ourselves the somewhat daunting task of looking at what the queer fellas have brought out this year.

There’s no prize money in this… Maybe a bit of kudos for the winner! There’s our love and devotion as well, of course – and a bit of shouting about the writing we love. Maybe one day we’ll get sponsorship or something. But we’re kicking off anyway, and we think it’ll be fun. Hope you’ll join us…!”

It’s not something that does get celebrated enough. Women have their Orange Prize for Fiction. International writers have the Independent Foreign Fiction Prize…I could go on… so what not gay men’s books?

And there are gay genre characters like in novels like: The Forever War, City of Ruin, Great and Secret Show, The Steel Remains, Lost Souls, Iron Council… to get you started,  incase you thought that genre wasn’t imbracing social norms.

So what did they come up with?

And this years ‘Green Carnation Bunch’ are…

  • Generation A by Douglas Coupland (Windmill Books)
  • Bryant and May Off the Rails by Christopher Fowler (Doubleday)
  • Paperboy by Christopher Fowler (Doubleday)
  • In A Strange Room by Damon Galgut (Atlantic Books)
  • God Says No by James Hannaham (McSweeney’s)
  • London Triptych by Jonathan Kemp (Myriad Editions)
  • Mary Ann in Autumn by Armistead Maupin (Doubleday)
  • Children of the Sun by Max Schaefer (Granta)
  • Man’s World by Rupert Smith (Arcadia Books)
  • The Slap by Christos Tsiolkas (Tuskar Rock Press)
  • City Boy by Edmund White (Bloomsbury)

I’d love to know how many books they had to choose from? I might have to try and bride one of the judges… It’s great to see Bryant and May Off the Rails on their representing  genre too.

One of the judges, Simon Savage, is hosting a discussion on his blog, Savage Reads if you want to talk more about it.

And finally, Richard & Judy’s Book Club is back and they have selected 8 surprising and interesting titles:

  • The Wilding – Maria McCannThe Snowman – Jo Nesbo
  • Operation Mincemeat – Ben Macintyre
  • Sister – Rosamund Lupton
  • A Place of Secrets – Rachel Hore
  • Waiting for Columbus – Thomas Trofimuk
  • The Crying Tree – Naseem Rakha
  • No and Me – Delphine de Vigan

They’ve teamed up with WHSmith and you can find more about that on their site. And Farm Lane Books Blog has the covers, links to Amazon and initial thoughts on her blog. Though the only one that’s grabbed me is The Snowman, which I’ve had in the TBR for far too long.

So there we are. Lots of places to jump in and start talking about books. Quite an exciting post I think.

Book Burning: Sympathy for the Devil edited by Tim Pratt (Night Shade Books)

New Feature: Book Burning look at that feeling when you hear about a book and your mind starts firing and you just can’t wait to read it. Well I’m going to be sharing those here. I might go cold on them  after!

Wanting this one is pretty easy to explain. First it’s a collection of short stories as it says in the blurb:

The Devil is known by many names: Serpent, Tempter, Beast, Adversary, Wanderer, Dragon, Rebel. His traps and machinations are the stuff of legends. His faces are legion. No matter what face the devil wears, SYMPATHY FOR THE DEVIL has them all.
Thirty-five stories, from classics to the cutting edge, exploring the many sides of Satan, Lucifer, the Lord of the Flies, the Father of Lies, the Prince of the Powers of the Air and Darkness, the First of the Fallen… and a Man of Wealth and Taste. Sit down and spend a little time with the Devil.
And then you just need to scan down the Table of Contents:
Introduction — Tim Pratt
The Price — Neil Gaiman
Beluthahatchie — Andy Duncan
Ash City Stomp — Richard Butner
Ten for the Devil — Charles de Lint
A Reversal of Fortune — Holly Black
Young Goodman Brown — Nathaniel Hawthorne
The Man in the Black Suit — Stephen King
The Power of Speech — Natalie Babbitt
The Redemption of Silky Bill — Sarah Zettel
Sold to Satan — Mark Twain
MetaPhysics — Elizabeth M. Glover
Snowball’s Chance — Charles Stross
Non-Disclosure Agreement — Scott Westerfeld
Like Riding a Bike — Jan Wildt
Bible Stories for Adults, No. 31: The Covenant — James Morrow
And the Deep Blue Sea — Elizabeth Bear
The Goat Cutter — Jay Lake
On the Road to New Egypt — Jeffrey Ford
That Hell-Bound Train — Robert Bloch
The God of Dark Laughter — Michael Chabon
The King of the Djinn — David Ackert and Benjamin Rosenbaum
Summon, Bind, Banish — Nick Mamatas
The Bottle Imp — Robert Louis Stevenson
Two Old Men — Kage Baker
… With By Good Intentions — Carrie Richerson
Nine Sundays in a Row — Kris Dikeman
Lull — Kelly Link
We Can Get Them for You Wholesale — Neil Gaiman
Details — China Mieville
The Devil Disinvests — Scott Bradfield
Faustfeathers — John Kessel
The Professor’s Teddy Bear — Theodore Sturgeon
The Heidelberg Cylinder — Jonathan Carroll
Mike’s Place — David J. Schwartz
Thus I Refute Beelzy — John Collier
Inferno: Canto XXXIV — Dante Alighieri (translated by Henry Wadsworth Longfellow)
Gaiman, Baker, Stross, Lake, Westerfield, King, Black, de Lint to name a few. And the Devil is an endless source of stories I’m really looking forward to delving into this one.

Authority, Buzz and Being Judged – Books Aren’t Just About Telling Stories Then?

I always get uncomfortable when someone sees me as an authority on books. I know a lot about them but I know a lot of people that know a lot more and I’m always worried about doing the following:

The same applies to discussing literature of all forms and stripes. Sometimes, we just don’t know what we know and we think we know more than what we really know (and yes, I realize that sounds like something Donald Rumsfeld might have said about the situation in Iraq several years ago). But yet we often make the mistake of presuming that our perspective is the “privileged” one, that others who disparage our opinions are somehow wrong.

link: OF Blog of the Fallen: Perspectives, namely those in that rat’s cage called review blogging

That’s because I’m part of a wonderful bubble that’s in danger of being broken like this:

So, traipsing home disappointed I started to wonder (and then Larry’s post punched it home) about the perspectives of bloggers. Thanks to reading other blogs and being infected by buzz, we become all wrapped up in shiny releases – and sometimes little realise that those releases have absolutely NO impact on booksellers.

link: Floor to Ceiling Books: Living In The Blogger Bubble

Absolutely NO impact on booksellers is probably a little strong. I think there is probably some disconnect between what happens online and what happens in bricks & mortar but that’s not a bad thing. As I’ve mentioned before I can walk into a bookshop and find gems that haven’t been on my radar, which was exciting and occasionally expensive.

But the book-o-sphere is having an impact. I’d guarantee that some books we get excited about and have spikes in online sales they would not have done so without all the buzz that goes from blog to blog.

There are arguments about where are spotlight should fall:

I’m increasingly discovering that there is something resembling a backlist movement. This is what the internet should be used for – not to prop up the titles that get decent amounts of marketing spend on them (mine included) but exploring niches and discovering range.

link: Genre Diversity – Mark Charan Newton

I’m a Pom-pon boy. It’s called NextRead for a reason. For me it’s a game of discovery of my next read. I could and did for a while read a small narrow range of authors and I’d be quiet happy to carry on but some small corner of me is a writer. I know that there are writers there that have someone worth reading and giving them a moment of my time is quite exciting when you find authors you meet minds with. And there is no better feeling than reading a book you totally get.

Speaking of meetings of minds and getting. Well I did get this and I didn’t meet minds on it at all:

Yet the perception – that I believed for a second that fantasy was inferior – proved pervasive. Weirdmage asked, “If you really think Speculative Fiction is an inferior genre, why start a blog about it?” while LEC took after Alex’s tactic, wondering “Are you trying to become the Literary Scotsman, Niall?”

Let me stop for just a second to say: no. I have none of the delusions of grandeur, as if blogging about literary fiction – so called – would somehow grant me such grandeur, that so many commenters seem to assume.

link: The Speculative Scotsman: From the Comments: Complex Inferiority

I think I’m off his Christmas card list for my comment on the earlier post, From the Comments: Inferior Fantasy. Before we carry on just take a second to read it through and make up your own mind.

Right, decided?

This takes us back to the start of this post. If you’re going to say something controversial like Rant: Science Fiction isn’t just dying it has crumbled to dust. Where is the new blood? make sure you explain yourself and not let your point get lost. My point was that we need to support the new writers SF a little more and question why the default in SF is to go backwards. I don’t think I did well there. I did better at Mark’s challenge of diversity with my celebration of short stories.

But there is lighting fires and championing what you believe in like the need for more SF authors on the block and getting people reading and there is:

Fantasy can be a bit crap, can’t it? However close the genre may be to our hearts, we’ve all read some particularly awful examples of the form in our time, I’m sure.

Yes fantasy can be crap an so can literary fiction and crime and chic lit and so on. But you know what? Fantasy can we wonderful as can literary fiction and crime and chic lit etc. Literary fiction isn’t the cream that’s been saved from joining the mould in a pint of milk. Fantasy isn’t a bit grubby and unrefined, which is what came across in the rest of Niall’s post:

‘The cream of the crop of non-genre fiction is going to be necessarily creamier than that in fantasy’

And I think at this point I couldn’t come up with something better than:

Sorry but this is really a load of bollocks.

Alright lets look at this again:

I don’t need for every fantasy novel I read to be academically and intellectually remarkable. I don’t demand that all of fantasy must suddenly devote its attention entire to impressing notoriously hard-to-please critics. That’s not what I want from the genre by any stretch. I understand that what matters most of all, in terms of the experience of reading, is that, as @NextRead put it, we have a good time. I had a good time with The Way of Kings (more on which later, and elsewhere, in fact). But is having a good time truly all that matters? In a vacuum, that kind of argument might fly. As one genre among many, however, and as a staunch supporter of that genre with high hopes that it be less often on the receiving end of snooty, derisory and dismissive attitudes, the likes of which we’re constantly complaining about across the blogosphere, I want twenty Ian McDonalds where I’ve suggested there might be ten, as it stands. I want a hundred Ian McDonalds, damn it. And how is that such a horrendous thing to hope for?

link: The Speculative Scotsman: From the Comments: Complex Inferiority

There are loads of things to address…

I’m happy with what’s on my shelves. I know that there are going to be a range of storytellers there and a wide range of ways they can be told. And I do have my preferences in what stories I immediately want to read and some stories I get persuaded to read by others (I’ll never forgive them for Twelve never especially James Long- I question his taste I really do ;) ) but I’m never stuck for something to read and something to try.

If you want a certain style of writing then go for those authors that do it for you. Is it really true that those who want their ‘genre in a lit fic style’, whatever that means, come up short? – I can take a stab at some authors that would fit but I don’t really think in those terms.

Everyone is a critic in some way even if it’s just saying to your friends, ‘You have to read Twilight! I want to know if your Team Edward!’

I’d love to know who are doing this:

…that it be less often on the receiving end of snooty, derisory and dismissive attitudes, the likes of which we’re constantly complaining about across the blogosphere.

Who have those snooty, derisory and dismissive attitudes? And does it matter?

The only issue should be between the author and the reader. Did they manage to tell you a story that by the end you found you enjoyed. If not, is it you or the author? You can’t complain when you get a burger at McDonalds – you want pretentiousness choose a Michelin Star!

Now I’m doing it. I’m reinforcing the idea that one thing is better than another. It’s an easy trap to fall into isn’t it…

And after making a whole post about it what do I really want to say?

I’m more interested in finding interesting books and reading and sharing them.

And you know what if you’re worried about being judged for your reading buy an iPad or a Kindle and keep reading what you want!

And if you need help finding your idea book there is a a whole book-o-sphere to help you out!


Housekeeping: You might not have noticed…

…but NextRead Reading Room has been offline today. I moved blog hosts which I’d planned for and mostly have succeeded in moving everything over from one host to the other. Somethings I forgot like backing up links and the rest of my sidebar, which is why it looks a little sparse at the minute.

It’s taken over a week to sort out with testing and backing up and planning and other behind the scenes boring stuff with has taken me away from updating the blog as I needed to freeze the blog to copy stuff.

There is plenty going on around the book-o-sphere including some new covers and I’ve stuck one hot cover on the sidebar as a teaser.

I love it.

What do you think of the cover? Good? Bad? Meh?

UPDATE

eek – I seem to be having ongoing problems – if you need to email me try gmail  - it’s nextread then at then the gmail and dot com

Sorry!!

Green Review: The Saltmarsh Murders by Gladys Mitchell (Vintage)

The Saltmarsh Muders by Gladys Mitchell
Out now in paperback from Vintage

The Saltmarsh Murders is one of six books reprinted (so far) in the Mrs Bradley Mysteries series by Gladys Mitchell. I’m not sure what made Vintage decide to do it but I’m glad they did. These books have been the inspiration for a short-lived 1998/9 TV series featuring Diana Rigg totaling a woeful five episodes. I guess they were too expensive to produce. There are 66 books featuring Mrs Bradley all written by Mitchell. I have a feeling that some are going to be more successfully than others. But I suspect that Vintage is presenting the cream of the crop and after reading The Saltmarsh Murders I think they are.

Anyway back to the book itself. The first surprising thing is the narrator. If you’ve watched the TV series Mrs Bradley turns and talks directly to the viewer so I was wrongly expecting this would be a first person or a third person story focusing on Mrs Bradley. But no the story is told by Noel Wells, the curate of the sleepy village Saltmarsh, who finds himself the sidekick of sometime detective and full-time Freudian Mrs Bradley.

Together they get to see into the lives of several key members of the village. And that is a clever device as Well’s gives all the connections to everyone who matters and can also report his own thoughts on the investigations as well as giving Mrs Bradley’s insights. He also acts as a buffer between what we suspect and what Mrs Bradley is thinking. There is an added touch at the end with an extract of Mrs Bradley’s Notebook for the period, which makes some of her actions a little more understandable, and if you thought she doesn’t care enough about what happens you might think differently after reading it.

I’d expect that Mitchell herself had several notebooks when writing this tale as the plot is complex for such a narrow cast. The complexity comes from the examination of human nature and the way we think and act. She unravels the means, motive and opportunity of the murder. And as she pulls and follow the threads as the suspects mount up as  there are plenty of motives for murder here.

It’s not all serious though Mitchell is having fun through Mrs Bradley you can tell as not only is she a wonderfully colourful she is sharp and humourful even if it’s a morose at times. She is presenting larger than life characters for her to examine and analyse and she makes references to other writers and their characters offhandedly.

Now this is a novel of its time. It was published in 1932 and it’s setting includes servants and one of these servants is black. He plays an important part of understanding of the crime. The reason I mention it is that I’m glad that one part has been left uncensored. The part has strong racist remarks from one character to another but they are a reflection of the characters that make them. I must admit to be a little shocked at their inclusion in the original but it would have been wrong to change them now because they may cause offensive. I hope it’s not just me that thinks that. And it’s more eye-opening moment for how far we’ve come rather than something that overshadows the novel.

I guess it does illustrate why books are reflections of the time they are written. Even if they are larger than life they do show a mirror to the thinking of the time on certain thought and feelings that might not shared now. There is a strong moral tone especially as we’re seeing things from a curate but he and the vicar are both practical when thinking of  the actions of their flock. For example if a girl gets caught with child the couple end up marrying after the fact. And that is where the trouble starts here. She doesn’t marry but has the child and no one knows who the father might be.

There is much to love in this novel. The characters. The plot. The read hearings. The nostalgia for simpler times. And the knowing that there are several motives that can be found if one looks hard enough for murder even from people who wouldn’t go as far as to actually kill.

But most of all it’s Mrs Bradley that makes this worth reading. She makes a unique and intriguing detective. I’m looking forward to reading When Last I Died next then hopefully Tom Brown’s Body then only another 64 to go… well the other thee reprints… for now at least.

Green Review: Have Mercy on Us All by Fred Vargas (Vintage)

Have Mercy on Us All by Fred Vargas
Out Now in Paperback from Vintage

Firstly I have to say I’m ashamed of myself. No, I really am. When do you think I read the last book in this series? JUNE 2009! Let me say that another way. It’s been over 14 months. I know time flies but that’s terrible. You know that it is right?

Should I have left it another 14 months? God no and I’m not waiting 14 months before reading Wash This Blood Clean From My Hand. I hope not at least as I ordered it as soon as I finished this one.

You know what I like about Eurocrime, at least the Eurocrime I’ve been reading, is that they focus in on the characters and give everything a foundation and a reason for happening. There isn’t drama for drama sake like guns and gangsters. These are ordinary people who have been twisted enough to kill.

And the method of killing in Have Mercy on Us All is certainly twisted and if I’m honest quite dramatic. The killer brings plague to the French capital but before he does he paints symbols on the door of those who are protected. At the same time he makes cryptic messages that are read out by a town crier though it takes a while for these ‘specials’ to reveal their intentions.

Again, Vargas leads the dance showing us all the events but somehow missing the right bits at the right time to end up surprising you at the end.

We find out more about Adamsberg’s character in this book and I’m not sure I like the revelation. It fits perfectly as he is a bit odd. He thinks and allows events to lead him. It’s like he’s an archaeologist slowly putting bits back together until he has enough to come to a decision on what he’s looking at. Though how he works it all out is a bit of a mystery. But he doesn’t care in the sense the he doesn’t make the emotional attachments that others would and this gets in him into trouble.

But the personal revelations show that Vargas has plans to keep his love life as complicated as the crimes he investigates.

I do need to say that I’m not sure if it’s the translation or Vargas’s writing style but this one feels a little rougher and flatter than the first two I’ve read. I think it might be the pacing or it might the that the translation has lost a little life somewhere. It was just enough to take the shine off the story.

But I’m invested and I enjoyed the crime and the solution and the mix of characters so what more can I ask?

Thought: Can't we just have limits and like it?

Today I’ve seen mentions of genre being ‘the fossils of a movement’ and ‘the [mis]-labelling most contemp/domestic literature by women AS ChickLit.’ and I’m wondering what the obsession with the sticking of labels on things is.

Not the actual labels themselves but why we worry that something is mislabeled and misunderstood. Is it actually that big a deal? If something is labelled chicklit rather than contemporary drama? Or if god forbid a literary fiction novel is thought to be genre even though it has time-travel in it.

It’s just odd that there are these invisible lines that can’t crossed or if they are some great crime is committed. The trouble is that like that Next Gen episode no one is sure where those lines are even if they want to cross them.

It’s all a short hand anyway. My bookshop is mostly split into SFF/Crime/Literature and that new and soon to be forgotten Vampire section. Those are my choices. Beyond that I have to rely on the cover and the blurb or prior knowledge of the book or its author to make a decision.

I did it on Saturday. I went around the bookshop (something I don’t do enough but I mostly can’t get to one) and picked up books based on covers and authors and I had to rely on instinct to make up my mind.

Online ordering confuses matters as you still have the blurb and cover but the context is confused. You can’t see the comparisons as easily as when there is a table of 10 similar books looking straight at you.

You see I think that most publishers know their audience and pitch things right. Readers are allowed to be surprised if they pick up a book that looks like a fish smells like a fish but acts like a dog but I’ve got to say that is rare when you’ve been reading a while.

If you want to go past your known limits like constantly reading epic fantasy or the next Twilight wannabe then you might be forgiven for making the wrong choices for you but that’s got to be half the fun right? The disappointment of a ‘bad book’ and the euphoria of a ‘good’ one.

I guess my view is very screwed as I’m lucky to receive books that stretch my view and taste in reading. For example I don’t remember why I started my EuroCrime journey but I’m glad I did.

But going back to labels and limits there are ‘dumb’ books and ‘clever’ books in every genre. There are books that you enjoy and books you don’t and its your risk and, you should take that risk, when you try someone new.

Though in the end they are only shorthand like covers and blurbs to give you a taste and flavour something that you might like the taste of in the end even if it is acquired.

Green Review: Pandora's Star by Peter F. Hamilton (Pan)

Pandora’s Star by Peter F. Hamilton
Out Now in Paperback from Pan Macmillan
(cover from the Sept ’10 reissue)

There is only one place to start when talking about Pandora’s Star. It’s size. At 1152 pages of big. But it’s not only the time that you invest reading a big book it’s the mental capacity you end up using so it all makes sense.. You have to absorb it and live and breathe it for the duration. If you don’t then you might lose your way or worse lose interest.

Luckily Peter F. Hamilton is telling a story that has easily filled those pages and then some. I’m not saying he’s filled them all with the right things but on the final page I was more than ready, and indeed did, start Judas Unchained, the concluding half of The Commonwealth Saga, and about 100 pages bigger.

Pandora’s Star starts with a mystery. Astronomer Dudley Bose obverses a star over a thousand light years away vanish, though it doesn’t really vanish, instead it’s sealed inside a force field of immense size. He doesn’t see it from earth but one of the other 600 colonised planets that makes up the Interstellar Commonwealth, which are all linked by wormholes rather than spaceships. So in order to see what’s happened beyond the reach of their wormholes they build their first faster-than-light starship, Second Chance, and that’s where everything really gets complicated.

And it does get complicated for humanity in general but for the main characters and their threads the whole tale is complicated. Hamiliton really does have a good sense of how to pitch everything so it seems on a vast scale but also a human everyday level at the same time.

You have a detective, Paula Mayo, who has spent several lifetimes trying to stop a terrorist threat. There is Ozzie who seems to be a bit of a hippy but is trying to get a handle on the Silfen, friendly aliens who don’t seem to be technologically advanced but can literally walk between worlds. And then we have Captain Wilson Kime whose task to see what’s out at the disappearing star and whose arrival there sets in motion events that will change everything.

I’m not sure if the above is helpful or not. To give more away would spoil the momentum that keeps you reading. Hamilton is building layer upon layer as you find out more until you get to slowly see a bigger picture though I’m not sure even that it isn’t really part of a larger puzzle.

What you do get is an understanding of the Commonwealth from several perspectives. You get to see things from the top and near the bottom. This is a place where you don’t have to die. You can be rejuvenated or if needed regrown with all your memories reinserted into your new body. You can have your DNA altered to remove worrying traits and receive enhancements. Not forgetting all the technology at their disposal including advanced artificial intelligence. There is little danger of dying or fear of total death. That is until these events unfold.

The journey you follow with the characters really does make the 1152 pages worth the investment. Not everything flows, there are points that give understanding don’t really enhance the overall story but then in a multithreaded story everyone is going to latch on to their own favourites and want to get back to them as soon as possible.

He does get the overall pacing right, though there is a section where, in my opinion, the focus stays to long on one character and his endeavours. It is a pay off moment as things have been building up to it but from the chop/change pace up until then it feels wrong to be in the same place for so long. But that was my only moment of fatigue where I truly flagged.

It’s not only the changes in viewpoint that keeps everything going but it’s those layers I mentioned. Nothing is what it first appears. And that’s a really big payoff moment when things click and you see that the next part has got to have as many more questions as it has to have answers.

You have to admire a storyteller that does have the confidence to do a story like this that can only be done in SF. You can need to see how humanity could evolve and what dangers, as well as pleasures, there are in our potential future. It’s a rare gift and that’s what makes him a star of SF. There are very few people who could do this and make it feel like a spring rather than a marathon.

What you have in Pandora’s Star is a superior slice of SF. One that has 600 planet plus chessboard with billions of potential pieces to be moved around but at the hands of the master craftsman Peter F. Hamilton only requires a few dozen to give you a sense of interstellar events that have been hundreds of years in the making.